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Home > Articles > Resolving the Music Controversy
Resolving the Music Controversy
What's this disagreement all about.


Topics:Changes in worship, Conflict, Contemporary worship, Music, Strategy, Traditional, Worship, Worship planning, Worship service
Filters:Church board, Elder, Pastor, Worship, Worship leader
Purpose:Worship
References:Psalm 96:1, Psalm 150, Colossians 3:16-17
Date Added:July 12, 2007

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Posted: March 16, 2009
Wolf  (Guest)
Have you ever watched the congreation while todays's music is blasted from elaborate sound systems? One does not feel like singing; (you can't even hear the sound of your own voice)! If you use worship leaders, are they not to try to encourage people to participate in singing and praising? Yet all I hear is a handful of people on stage trying to outdo each other with their vocal abilities! I for one miss hearing the voices of the people (without use of expensive audio equipment) and can still raises the rafters with their voices!


Posted: February 07, 2008
Leslie  (Guest)
I agree that the debate is basically one of taste. When Thomas Dorsey began to write songs that are now considered Black Gospel classics, it was considered heretical. At one time the hymns that some now embrace so iconically were considered heretical by those who thought monastic chants were the only pious music. Nine times in the bible, God exhorts us to 'sing unto Him a new song'. We are made in the image of the Great Creator, who gave us creative talents, and creativity is change. Let's keep the heart of worship by embracing the best of both. Let's not allow the enemy to cunningly bring strife to the Body of Christ in seemingly pious ways that are really intended to divide.


Posted: April 10, 2009
Richard  (Guest)
"he set his poem, "A Mighty Fortress" to a tune from a saloon" That claim has been disproven by musicians. The reason for this faulty statement is that EIN FESTE BURG is in AAB form, which is commonly called "bar form" which refers, not to use in a saloon, but to "a medieval verse form, the Bar." (http://tinyurl.com/c96ctl) The tunes Luther did use are not at all comparable to the rock music of today. I disagree that the primary debate is about taste. I'm one who desires to "worship the Lord in the beauty of holiness," and that eliminates worship in my way. Amos 5 talks about worship that displeases God. God said He hates and despises those things the Israelites were doing, thinking they were worshiping Him, because they were persisting in sin. Their hearts were not right with Him. So let's pray for each other that we come before God to worship Him with "clean hands and a pure heart" because only then can our God be glorified.



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For some time now there has been a serious controversy in the body of Christ over music. It has been going on for years and still divides churches more than any other issue.

Why?

It's not a disagreement over biblical commands. Some try to argue that it is, but it's not. Colossians 3:16-17 commands us to sing psalms, hymns and spiritual songs. Psalm 150 commands us to praise God with a variety of instruments. Psalm 96:1 commands us to sing a new song.

It's not a disagreement over the content of songs. Some contend that the new songs are too repetitious and shallow. But some of the new choruses are straight out of scripture, while some of the old hymns were extremely repetitious (did you ever really look at the words of "When the Roll is Called Up Yonder"?)

It's not a disagreement over majority opinion. Some think it is, but they are like the woman who complained, "I can't really believe Richard Nixon won the election—I don't know anyone who voted for him!" That's more of a commentary on associations than it is on majority opinion.

Why the ongoing, heated argument? For one thing, it's a disagreement over the familiar versus the unfamiliar. There is a sense of nostalgia about the old hymns. They were the vehicles that helped introduce some of us to the Lord. When we don't sing the old songs, we're not reminded of that great experience. There is a sense of security with the familiar. It's like going through the same routine during the holidays. "It just doesn't feel like Christmas if we don't have dinner at Grandma's."

It's a controversy over the beat of the music. Most hymns had a certain rhythm to them that we identified with church. Most contemporary music has a beat that we identify with secular music. It just doesn't sound sacred!

Martin Luther had this same problem when he set his poem, "A Mighty Fortress" to a tune from a saloon, yet today people say, "I love those stately hymns like 'A Mighty Fortress.' "

To Luther's disturbed contemporaries, however, it was like our generation singing scripture to the tune of "Ninety-nine Bottles of Beer on the Wall."

It's a controversy over volume. For some, the new music is so amplified it's distracting. Even though the Bible says we should "praise him with the clash of cymbals; praise him with resounding cymbals," it couldn't have meant that loud!

It's a controversy over instruments. Each culture and generation associates certain instruments with the sacred and others with the secular. Since the piano was originally used in bars, some churches had difficulty with it and chose to be non-instrumental.

I remember people being unhappy the first time a guitar was used in our worship service. It just didn't seem appropriate. Now some are disturbed to hear drums. Others hate the synthesizer or can't believe that a saxophone—that sultry sound—could ever be worshipful. But the Bible says, "Let everything that has breath praise the Lord."