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Home > Articles > To Find a Worship Leader
To Find a Worship Leader
The essential traits of that most difficult role.


Topics:Changes in worship, Hiring, Music, Search committee, Team building, Volunteer recruitment, Worship, Worship planning, Worship service
Filters:Church staff, Elder, Pastor, Worship, Worship leader
Purpose:Worship
References:John 4:23
Date Added:July 11, 2007

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Posted: November 13, 2008
Pastor S.E. Smith  (Guest)
This is a wonderful article. This past Saturday our church had a seminar titled Developing a Lifestyle of Worship. Wish I had this information prior but God's timing as always remains on time. I'm sharing this with our pastor to share with the worhip leader and the Praise and Worship Team.


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The not-so-good things: some worship leaders don't quit a song easily and tend to take the endings into mantra-like overtimes. Many seem unaware that the over-50 crowd can physically hurt when they stand too long (pitched floors are deadly on hips, knees, and feet, while stages are flat). Oh, and many worship leaders don't seem to know that worship involves more than music. Thoughtful, sensitive prayer, provocative readings, and soul-stirring liturgies enlarge the menu.

Spotting a good one

You can appreciate why my friend's search committee has a bear of a challenge on its hands. If they sought my advice, here are five things I'd tell them to look for in a new worship leader:

  1. How the worship leader prays in public. Are the leader's prayers marked by deep reverence? Do they reflect an awareness that every decade of an adult's life brings new issues and preoccupations needing intercession? Some younger people know this; others don't. Are the prayers purposed to accomplish more than just segue between songs?
  2. The dignity given to public reading of Scripture. The people need to hear the Bible read with a quality that rivals that of a good soloist.
  3. The songs the worship leader picks. They should be singable (so we can hum them during the work week; sing them if we go to jail, like Paul and Silas). Realistic (not schlocky, with vocabulary we'd never use outside church). Honest (not promising God things we really have no intention of being or doing). Broad (representative of the varied singing traditions of the last several centuries; old songs with new instrumentation is a great idea). Worship music that speaks to us is both timely and timeless.
  4. The use of corporate silence and encouragement of historical reflection. Not all worship is done to the beat of a drum. We need expressions that speak to all the senses. And we need connection to the ancient expressions of our faith. Note how the worship leader feels about the great historic traditions of creed, liturgy, and sacramental symbol that remind us that folks have been worshiping for centuries before we arrived.
  5. How the worship leader lays the carpet for a sermon to reach both heart and mind. Are the worshipers prepared emotionally and theologically to be encouraged, challenged, or reproved? I have tried to think of the single greatest worship experience I've ever had. It happened, I think, just after midnight on New Year's Eve at the InterVarsity Urbana Missionary Convention of 1976. There was no worship leader. Not even a preacher (which amazes me).

The convention concluded with a Communion service. After the benediction, 17,000 students began to head for the arena portals and their buses for trips back home. Someone in the crowd—not a worship leader, but a worshiper—began the song "Sing Hallelujah to the Lord." It's one where the men sing a line and the women echo back.